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March 12, 2013

The Italian side of Maipu

Buenos Aires, at least the capital city itself, is a dramatic and cosmopolitan city. It often feels and sounds and looks European. Italy to be exact. So too the narrow roads of Maipu.








One day we went walking along some of these narrow roads. Most people drive, or cycle; few walk. Consequently we attracted the attention of a young police officer who pulled us over to ask what we were doing walking around Maipu along the roads. As we were visiting several wineries and doing the usual tastings at each, we replied, "Drinking and walking Officer." Not funny apparently. He didn't want his photo taken either.

Maipu is a small town and region to the south of the city of Mendoza. Both are located in the centre of one of the largest wine producing regions in the world, the Province of Mendoza. In fact 95% of Argentina's wine production comes from this province.

In this part of the province the climate is a semi-desert. Most of the agricultural production depends on irrigation canals from the Andes mountains to the west. The area receives about 200 mm of rain each year. In comparison, Vancouver receives 1600 mm of precipitation annually while the South Okanagan wine region about 310 mm. This is a dry and dusty place.



Change is coming to this region as mechanization slowly takes the place of pickers. The large harvesting machines are increasingly used, though many winemakers continue to support, and encourage hand picking of the grapes.







But I digress. We should be tasting some wine by now. In this case at a charming little bodega called Familia di Tommaso which sounds Italian because the family came from Italy generations ago and remains in business to this day. The restaurant is charming too, and the view as we walk back to our posada is...


MALBA ~ Museo de Arte Latinoamerica de Buenos Aires



The Museo de Arte Latinoamerica de Buenos Aires is one of many museums and galleries in the capital. MALBA is wonderul in its airy simplicity, and in its great collection, and not to be missed.





The building houses the private art collection of collector Eduardo Costantini and is considered one of the most impressive collections of Latin American art anywhere with a permanent collection featuring Antonio Berni, Frida Kahlo, Antonio Sigui, Diego Rivera and others.


Benches are functional, and modern works of art.





















Some of the works confront social issues and explore national identity, 
as above in Manifestacion by Antonio Berni. 
The work is from 1934. The artist is from Rosario, Argentina.












Time is well spent at MALBA. Delightful in every way, even in the parting shots.


March 11, 2013

The Carlos Gardel Tango Show

One of the largest and most elegant of BA's many tango shows is performed at the luxurious Esquina Carlos Gardel in a part of the city known as Abasto. The theatre is beautiful in its old-style appearance and features high tech acoustics and superb dancers. The performance is one of the biggest in Buenos Aires and apparently one of the most expensive, and it shows.



For the patron, in this instance, the former Berton House resident-writer, the show begins with a glass of Brut and a video show of the history of tango. Dinner is an option but we didn't partake. Wine flows through the night, though not quite in an endless stream as advertised. As the curtain opens the orchestra plays a sad sounding song that haunts the performance throughout; a beautiful refrain leading to the signature Mi Buenos Aires Querido.




Gardel was the preeminent Argentine singer, song writer and movie star, associated with the tango. He, along with lyricist Alfredo Le Pera, wrote many of the world's most popular tango songs. Gardel photos and representations abound in this theatre, and around the city. Born in 1890, Gardel (and Le Pera) died in a plane crash in 1935, sealing his fate as a tragic hero. His death was mourned throughout Argentina and around the world.




The show is quite amazing indeed with colour, sound and highly impressive dancing. I think the audio levels were a bit high, possibly to compensate for the large number of older American tourists in the audience, but that was a minor irritation. The female lead singer was terrific, and her male counterpart was quite good too. The haunting melody remains.